Rotenstreich Scholarship

Netta Amir

Dr. Netta Amir

Department of History

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Subject: The Formation of the Way of the Cross in Late-Medieval Jerusalem

Supervisors: Prof. Ronnie Ellenblum, Prof. Iris Shagrir and Prof. Reuven Amitai 

Abstract: The Way of the Cross has been one of Jerusalem’s most prominent axes for Christian worship in the past 700 years or so, at least from the Latin-Christian perspective. Although its production process finds its roots in the Crusader period, the Way of the Cross flourished and became a stable part of the pilgrimage circuit while Jerusalem was under Muslim rule, and while the Christians were limited by changing restriction of movement, worship and ownership. My dissertation deals with the formation of the Way of the Cross in Late Medieval Jerusalem.

Bio: Netta Amir is a PhD student at the History Department and a receiver of a Mandel Scholion scholarship as well as a  Rotenstreich scholarship. Her dissertation deals with the formation of the Way of the Cross in Late-Medieval Jerusalem, and it is being written under the supervision of Prof. Ronnie Ellenblum and Prof. Iris Shagrir.

Rotenstreich Stipend 2018/19

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Roy Amir

Dr. Roy Amir

Philosophy

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Subject: Ground-Laying as the Object's Ground: The Notion of Rationality in
Hermann Cohen's System der Philosophie

Supervisor: Prof. Elhanan Yakira, Dr. Tatiana Karachentseva

Abstract: The work analyses the notion of rationality presented in Hermann Cohen's "System der Philosophie" (1902-1912). In contrast to the customary view, I show that his rationalism is grounded in an intensional theory of conceptuality, taken in the Leibnizian sense. Such a theory comprehends the concept as an expression of the intelligibility of an individual being, an expression of its being a rational possibility, rather than a general-formal relation. The work demonstrates that a reading of Cohen's "logic of origin"  on the base of the principles of a Leibnizian intensional theory of concepts clarifies the internal logic of Cohen's arguments and provides means for evaluating the problematics of rationality placed at the core of the system. I show that Cohen's system attempts to present an intensional rationalism without the (dogmatic) presupposition of the compete rationality of the actual. In that, it represents a unique and philosophically valuable notion of rationality.  

  

I am interested in rationalism (both as a philosophical tradition and as a philosophical stance), Kant, German Idealism and Neo-Kantianism. My research so far has dealt with Cohen's system, with the notion of rationality it embodies, and with the manner in which this notion influences Cohen's ethical, cultural, theological, and political views.   

Publications:

Amir, Roy. Messianism and the Possibility of knowledge in Cohen and Benjamin, Paradigmi. Rivista di critica filosofica (2017:1), pp. 61-78. 

 

Rotenstreich Scholarship 2015/2016

Presidential Stipend 2013/2014

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Chanan Ariel

Dr. Chanan Ariel

The department of Hebrew Language

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Subject: Studies in the Vocabulary and Syntax of The Code of Maimonides (Mishneh Torah)

Supervisor: Prof. Yochanan Breuer

Abstract: Rabbi Moshe ben Maimon (Moses Maimonides), born in Cordoba, Spain under Islamic rule (1138 CE) and later the leader of the Jewish community in Egypt and the physician of the Egyptian royal courtuntil his death (in 1204 CE), is well known for his philosophical work, The Guide to the Perplexed, and for his Halakhic work, Mishneh Torah . In the latter, Maimonides compiled all Halakhic statements in Rabbinic literature, sorting them by topics. He settled all of the disputes that remained in the Halachic literature and translated into Hebrew all the Aramaic citations from external sources . This text is a masterpiece, characterized by uniform structure and linguistic clarity.
 
The proposed research focuses on two major areas of language: vocabulary and syntax, and aims to discuss them systematically, comparing Mishneh Torah to Mishnaic Hebrew, on the one hand, Maimonides' declared language of choice in this text, and therefore his 'default mode', and on the other hand comparing it to Biblical Hebrew, Aramaic, and Arabic to account for the evident differences between the language of Mishneh Torah and Mishnaic Hebrew.

Publications:
1.    חנן אריאל ואלכסיי יודיצקי, "שלוש קריאות חדשות בתעודות מדבר יהודה", לשוננו עב (תש"ע), עמ' 337–341
2.    חנן אריאל, "הגעיה וקביעת סוג הקמץ – מחלוקת מדקדקי ספרד", ישראל: מחקרים בלשון לזכרו של ישראל ייבין (בעריכת רפאל יצחק זר ויוסף עופר), ירושלים תשע"א, עמ' 21–43
3.    חנן אריאל ואלכסיי יודיצקי, "אל תמחול את היונה: עיון במגילה ארמית מקומראן", אקדם 49 (מרחשוון תשע"ד), עמ' 6–7 (לגרסה אנגלית מורחבת ראו פרסום 15 להלן)
4.    חנן אריאל ואלכסיי יודיצקי, "בע"ר ובע"י בעברית ובארמית", מגילות י (תשע"ד), עמ 149–162
5.    חנן אריאל, "המקור הנטוי המשמש כפועל חיווי במגילות קומראן", נטעי אילן: מחקרים בלשון העברית ובאחיותיה מוגשים לאילן אלדר, בעריכת מ' בר-אשר וע' מאיר, ירושלים תשע"ד (2014), עמ' 29–50
6.    חנן אריאל, "על ארבע סתומות במגילות מדבר יהודה", לשוננו עו (תשע"ד), עמ' 9–26
7.    חנן אריאל, אלכסיי יודיצקי ואלישע קימרון, "פשר על הקצים א –ב ( 4Q180ו־4Q181): ההדרה , לשון ופרשנות", מגילות יא–יב (תשע"ד-תשע"ה [הכרך יצא לאור בשבט תשע"ו]),  עמ' 3–39
8.    חנן אריאל ואלכסיי (אליהו) יודיצקי, "יברך – עדות על תצורת הפועל בימי הבית הראשון", לשוננו עח,ג (תשע"ו), עמ' 239246–
9.    חנן אריאל, "מתמוטטים, כושלים, נידחים ושבויים: עיוני סמנטיקה ופרשנות במגילות קומראן", מגילות יג (תשע"ז) (בדפוס)
10.    Chanan Ariel, “Dual: Pre-Modern Hebrew”, Encyclopedia of Hebrew Language and Linguistics, (ed. G. Khan et. al.), Brill: Leiden and Boston 2013, vol. 1, pp. 775–776
11.    Chanan Ariel, “Orthography: Biblical Hebrew”, Encyclopedia of Hebrew Language and Linguistics, (ed. G. Khan et. al.), Brill: Leiden and Boston 2013, vol. 2, pp. 940–948
12.    Chanan Ariel, “Usage of Biblical Vocabulary in Mishneh Torah (The Code of Maimonides”, Iberia Judaica 7 (2015), pp. 127–140 
13.    Chanan Ariel, “The Expression of Material Constitution in Revival Hebrew”, Journal of Jewish Languages 3  (2015), pp. 231–244
14.    Chanan Ariel and Alexey (Eliyahu) Yuditsky, "Remarks on the Languge of the Pesher Scrolls", Studies on the Texts of the Desert of Judah 114  (2015), pp. 1–6
15.    Alexey (Eliyahu) Yuditsky1 and Chanan Ariel, “ואל תמחולהי ביד שחפא: ‪4Q541, Frag. 24 Again”, Dead Sea Discoveries, 23, 2 (2016), pp. 221–232‬‬‬‬
16.    Chanan Ariel, “Deviations from the Mishnaic Hebrew Syntax in Mishneh Torah Due to the Influence of Arabic – Subordination or Intentional Usage?”, Bar-Asher Siegal, Elitzur A. and Aaron Koller (editors), Studies in Mishnaic Hebrew and Related Fields: Proceedings of the Yale Symposium on Mishnaic Hebrew, May 2014, New Haven-Jerusalem: The Academy of the Hebrew Language Press (in press)
17.    Chanan Ariel, "Why Did the Future Form of the Verb Displace the Imperative Form in the Informal Register of Modern Hebrew?", (final draft under review for publication of the papers from the Language Contact, Continuity and Change in the Emergence of Modern Hebrew conference, Jerusalem July 2016)

18.    חנן אריאל, "על סימון הקמצים, השוואים וההטעמה בסידור קורן", אתר הוצאת קורן במרשתת https://www.korenpub.com/koren_he_ils/shitat_hanikud (גרסה ללא ההערות נדפסה בסוף סידור קורן  נוסח אשכנז ונוסח ספרד, בעריכת הרב דוד פוקס, ירושלים תשע"א 2011)

 

Rotensreich Stipend 2015/16

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Miri Avissar

Miri Avissar

Department of General and Comparative Litrature

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Subject: Ludic Quests: Gogol, Melville, Nabokov

Supervisor: Prof. Ilana Pardes

Abstract: In my doctoral research, provisionally titled "Ludic Quests: Gogol, Melville, Nabokov," I offer a comparative reading of three novels: "Dead Souls," "Moby-Dick," and "Lolita." The focal point of my analysis is the examination of correspondences between the geographic and the poetic-cum-interpretive quests performed in each work. I argue that both types of quests—the literal and the figurative—are characterized by distinct playfulness, a particularly significant manifestation of which is the personages' and speakers' continual digression to the margins of the road and of discourse alike. In addition to explicating philosophical and formal affinities between the three novels with regard to the benefits and the hazards of ludically going off track, my study seeks to trace the Russian-American dialogue in which Nabokov engages with two of his nineteenth-century predecessors.

Publications:

* "על העיוורון: ספר איוב כמודל להארה רוחנית בסונטה התשע-עשרה של
מילטון", מוזה: כתב עת לתלמידי מחקר במדעי הרוח, גיליון 1 (2017): 7-22.

 

Rotenstreich Stipend 2017/18

Presidential Stipend 2015/16

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Venus Bargouth

Dr. Venus Bargouth

The English Department

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Subject: Wordsworth's Revisions

Supervisor: Prof. Leona Toker

Abstract: This dissertation studies the revisions made by William Wordsworth to Salisbury Plain, The Borderers and The Ruined Cottage, the works whose early versions are, to a large extent, his response to the social and political upheaval of the French Revolution. The revisions made by the poet to these three works in the course of his life, during which his ideological, moral, political and poetical principles underwent changes, are sometimes radical. This study demonstrates how his evolving worldview is reflected in his textual changes. The revisions also show how Wordsworth’s experience of the French Revolution influenced not only his early political inclinations and poetic vocation but also many of his responses to political events in his conservative years and thus his later poetry. Hence, among other things, my research supports the position of those literary critics who deny that Wordsworth’s poetry elides its political moment: his early works do respond to the political and historical events of the time of their composition.  
    Pace New Criticism, which marginalizes the author’s intention or rather seeks to separate the artist and his works in accordance with the critique of the intentional fallacy, I argue that in order to understand what stimulated the composition of Salisbury Plain, The Borderers and The Ruined Cottage, and what later motivated the revisions made to these poems, we may seek suggestions from Wordsworth’s life even at the risk of disturbing his image as an extraordinary being.
     The three works, initially composed in the 1790s, mark a turning point in Wordsworth’s poetic progress. It was only after his return to England from France in 1792, during cycles of his hope and despair, that his genuine voice emerged. None of the poems written prior to Salisbury Plain manifests the revolutionary power of his poetic genius. Salisbury Plain, The Borderers and The Ruined Cottage form the foundation of Wordsworth’s life-long defence of humanity in general and the people of the lower classes in particular. Moreover, it is through these works that the poet’s philosophical vision of the oneness of the human heart with nature ripens, in his attempts to come to terms with the human condition and place suffering in a framework which facilitates coping with it.
     Evidence in Wordsworth’s correspondence suggests that in 1798, while working on The Ruined Cottage, he was also thinking about Adventures on Salisbury Plain and The Borderers. Rather than finishing one poem, laying it aside and taking up another, he simultaneously worked on the three, which explains some of the similarities in their thematic concerns and style. Yet the move from Salisbury Plain to The Borderers attests to changes in Wordsworth’s attitude to such issues as motivation, intention, crime, punishment, political institutions and formal law. Furthermore, whereas after 1799 Wordsworth never attributed importance to either Adventures on Salisbury Plain or The Borderers till the decision was made to publish them in 1842, The Ruined Cottage preoccupied him for the rest of his life. 
     The study of the development of the early versions of the three works reveals the maturation of Wordsworth’s art and the evolution of some aspects of his political and philosophical stance. He gradually becomes a poet of the human psyche. Whereas the early version of Salisbury Plain shares some features with contemporary protest poems, in his revisions Wordsworth transcends the political and social focus of protest poetry in probing the inner lives of his suffering characters, with an emphasis on guilt and fear. Conveying tension between reason and emotions, he works out emotivist principles in the ethical positions that transpire from his works as well as in his literary theory, unifying his axiology. He also resolves his attitude to such issues as compassion, remorse, penitence and justice. The Wanderer, as The Ruined Cottage was titled in 1814, serves as a step towards a larger work which would grant completion to Wordsworth’s philosophical and ideological principles. The alterations made for the 1814 version facilitate its incorporation into the design of The Recluse, the poet’s planned philosophical work about man’s relation to nature and society. 
      Wordsworth endorsed a succession of political and philosophical identities, moving from liberal republicanism to Godwinian rationalism to the transcendental philosophy of the One Life and eventually to political and religious conservatism. His longevity as well as shifts in his socio-economic condition made axiological changes possible. By his seventies he had become a rather conservative financially secure family man in the government employ. In 1843, the poet who had once declared that he abhorred monarchy became Queen Victoria’s Poet Laureate. Wordsworth did not deny that he was changing. Time-induced changes constitute recurrent thematic concerns in many of his works. In 1801 he noted that his early poems represented opinions widely different from those that he held at present. In The Prelude the speaker repeatedly observes that youth played a significant role in his early judgments. The mainstream public opinion of Wordsworth changed as well. By the late 1830s, those attributes of his poetry which had once been scorned by many came to be identified as the sources of his strength. His poetry was constantly quoted, and his works were acknowledged as intellectual stimuli. This new status imposed new obligations. 
     My research examines the ways in which these biographical factors may have influenced the revisions of Wordsworth’s early works, revisions that affected the fashioning of his image for posterity. 
     The changes which some of Wordsworth’s principles underwent are evident in the revisions that he made to the poems that he had written in his twenties but published in his seventies. In 1842, when he published his earlier radical, pantheistic and revolutionary anti-war poetry, such as Salisbury Plain, in Poems, Chiefly of Early and Late Years, he omitted, added or rewrote complete verse paragraphs, as well as separate lines and words. Guilt and Sorrow; or Incidents upon Salisbury Plain and (to a smaller degree) The Borderers were so altered that they revealed little or nothing of Wordsworth’s erstwhile radicalism. This was followed by the 1845 publication of the likewise heavily revised version of The Excursion, of which the first book had started as The Ruined Cottage in 1797. By this time, in addition to other changes in his status, Wordsworth was also held in reverence as a conservative Christian poet. He now had to and probably wished to conform to what was required of him as a public figure. Drawing attention to his political past or reviving its spirit would have been counterproductive. The study of Wordsworth’s revisions suggests that he might have mitigated his earlier radicalism by self-censorship.  
      When the conformist elderly poet excised those cultural cues that anchored the poems in the historical context of the reactionary 1790s, he altered the portrayal of characters, their interactions, conversations and the nature of their relationships. Sometimes such changes cause inconsistencies and logical contradictions in the plot and the arguments made in the poems. Even when no drastic changes in thematic concerns are detected between two versions, changes in emphasis or word order indicate different attitudes or altered states of mind. The later version of The Borderers, for instance, seems to enhance the play’s philosophical concerns at the expense of the psychological ones. Although the revisions sometimes attest to major ideological changes, the earlier and later versions of the poems share thematic concerns, which points to a continuity in the poet’s preoccupations.
     Comparing the published versions with the earlier manuscript ones, this study considers whether the revisions serve to adapt Wordsworth’s early works, directly related to his moral crisis in France and suffused with republican opinions, to engagement with newly emerging social and political affairs, such as the contemporary debates concerning the Poor Laws and the abolition of the death penalty. The changes in the poet’s attitude explain how Salisbury Plain and The Borderers accrued different meanings when, as a political figure, he started serving different causes, some diametrically opposite to those of his early years. The new versions are not only geared up to the context of 1842 but also praise the selfsame institutions which Wordsworth had earlier abhorred.
     Wordsworth’s 1842 revisions also reflect changes in aesthetic preferences. In his later years he disavowed that principle on which his poetics was founded; namely, to write in ordinary language for ordinary people. Rather, he resorted to eloquent sometimes artificial language which suits élite expectations. Judging by his own criteria, with which some literary critics agree and some do not, the later versions have a greater aesthetic merit. This claim is examined in the dissertation.

 

 

Bio: I am interested in the Romantic period. I love excursions in nature. I have a husband, a son and a dog.

 

Rotenstreich Stipend 2016/17

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tal

Tal Brit

Department of Art History

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Subject: Philosophia Naturalis in 14-16th century and the Representation of Nature in the Art of North Italy

Supervisor: Dr. Lola Kantor-Kazovsky

Abstract: In my research I intend to trace the Medieval taxonomy of plants, Wild Men, landscapes and texts of Philosophia Naturalis, in the visual iconography of goddess Natura: starting with theological writings and ending with the private canvases commissioned by North Italian aristocrats in the Quattrocento and the Cinquecento. The Iconongraphical interpretations of canonical canvases such as the (so called) “Venus” of Giorgione, and other mysterious females, is still vague and unidentified, in spite of the vast amount of textual and visual precedents. I will claim that the detailed geology as well as the figurative characters, are allegorical representations of Natura, and a result of a synthesis between the Medieval tradition of Philosophia Naturalis and the Humanistic culture. For each of the cosmographical components of the Medieval Philosophia Naturalis there is an essential origin in Pliny’s encyclopedic Historia Naturalis which received a new kind of attention in the Trecento. I believe it would be justified to explore the misconstrued compositions of these private canvases through that encyclopedic perspective, which seem to have been dominant in patronage culture during the Quattrocento and Cinquecento. I will use them as both the objects of research and as its focus. In addition to previous interpretations of these motifs, I believe that a further understanding of the philosophical contemplation over the relations between the creations of Man versus those of Nature would suffice a more objective understanding of these compositions. As a result, I hope it will deepen our general view of North Italian artists and their patrons.

Bio: A Phd student in the Art History department in the Hebrew University; Studying North Italian allegories and their visual representation in the Quattrocento and the Cinquecento; Teaching ancient Art and Though in the Israeli Arts and Science Academy; An avid lecturer and organizer of various courses and conferences in the scholarly arena.

Rotenstreich Scholarship 2021/22

President Stipend 2018/19

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Ivri Bunis

Dr. Ivri Bunis

Hebrew Language

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Subject: The Morphosyntax of Jewish Palestinian Aramaic from the Byzantine Period

Supervisor: Steven E. Fassberg

Abstract: The focus of my PhD thesis is the morpho-syntax of the Aramaic dialect used by the Jews of Palestine in the Byzantine period, as attested in writing. Following the Mishnaic period, i.e. from the 3rd century CE onward, we witness a shift from Hebrew to Aramaic in rabbinic literature reflecting, it would seem, a drastic decline in the use of Hebrew as a living language in the area. A distinct Aramaic dialect, referred to as Jewish Palestinian- or Galilean Aramaic, begins to appear in important rabbinic works from Byzantine Palestine: The Palestinian Talmud, Bible translations and Aggadic Midrash such as Genesis Rabbah. Morpho-syntax relates to the dependence of morphological forms on syntactic structure. The thesis will attempt to describe and explain the choice of morphological forms of categories such as the noun, verb, pronoun among others in connection with the syntactic structures they appear in. Understanding this aspect of linguistic function is essential to the general understanding of the language and has a bearing upon many areas. It will contribute to better understanding the texts themselves, and to characterizing texts of uncertain provenance, and will also aid in understanding linguistic development in Mishnaic Hebrew, contemporary Aramaic dialects and even the spoken Arabic dialects that replaced Aramaic.

 

Presidential Stipend 2013/14

Rotenstreich 2015/16

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noam

Noam Cohen

Department of Philosophy

Subject: Intersubjectivity and Community in Logical and Mathematical Objectivity

Supervisor: Dr. Michael Roubach

Idan Dershowitz

Dr. Idan Dershowitz

Biblical Studies

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Subject: Mosaica: Material Methods of Biblical Redaction

Supervisor: Dr. Shimon Gesundheit

Abstract: In my dissertation, I investigate biblical redaction from a material perspective. What did the editors’ desks look like? How did they go about compiling some of history’s most formative texts? It is often presumed that these works were invariably created by scribes who integrated and supplemented earlier sources. Contrary to the prevailing opinion, I contend that various biblical passages were created through a process of literal “cut and paste.” Proto-biblical papyrus scrolls were disassembled and even dissected into small snippets. These patches and sheets were then spliced and pasted together. Other times, texts were expanded by affixing scraps of old papyrus onto fresh sheets and writing new material in the gaps. That these unusual methods were practiced by biblical editors can be established through a systematic investigation of extant redactional errors, finding surprising support in texts ranging from ancient Egypt to nascent America.

Publications:

  • Idan Dershowitz, “MORDECAI, SON OF JAIR (HEBREW BIBLE/OLD TESTAMENT),” Encyclopedia of the Bible and its Reception (EBR) 18, De Gruyter (2017; forthcoming) 
  • Idan Dershowitz, “NAOMI (HEBREW BIBLE/OLD TESTAMENT),” Encyclopedia of the Bible and its Reception (EBR) 18, De Gruyter (2017; forthcoming)
  • Idan Dershowitz, “Revealing Nakedness and Concealing Homosexual Intercourse: Legal and Lexical Evolution in Leviticus 18,” Hebrew Bible and Ancient Israel (HeBAI; forthcoming)
  • Idan Dershowitz, “Darius II Delays the Festival of Matzot in 418 BCE,” TheTorah.com: A Historical and Contextual Approach (2017): http://thetorah.com/darius-ii-delays-the-festival-of-matzot-in-418-bce/
  • Idan Dershowitz, “KENATH,” Encyclopedia of the Bible and its Reception (EBR) 15, De Gruyter (2016 [online], 2017 [print]) 
  • Idan Dershowitz, “KENAZ, BROTHER OF CALEB,” Encyclopedia of the Bible and its Reception (EBR) 15, De Gruyter (2016 [online], 2017 [print])
  • Idan Dershowitz, “KENAZ, SON OF ELAH,” Encyclopedia of the Bible and its Reception (EBR) 15, De Gruyter (2016 [online], 2017 [print])
  • Idan Dershowitz, “KENAZ, SON OF ELIPHAZ,” Encyclopedia of the Bible and its Reception (EBR) 15, De Gruyter (2016 [online], 2017 [print]) 
  • Idan Dershowitz, “Man of the Land: Unearthing the Original Noah,” Zeitschrift für die alttestamentliche Wissenschaft (ZAW) 128:3 (2016), 357–373
  • Idan Dershowitz, “The Guilt of the Slanderer and the Sotah: Between Certainty and Uncertainty” TheTorah.com: A Historical and Contextual Approach (2015): http://thetorah.com/the-guilt-of-the-slanderer-and-the-sotah/
  • Idan Dershowitz, Moshe Koppel, Navot Akiva, and Nachum Dershowitz, “Computerized Source-Criticism of Biblical Texts,” Journal of Biblical Studies (JBL) 134:2 (2015), 253–271
  • Idan Dershowitz, “Flowing with Fat and (Bee) Honey: Evidence from Ancient Egypt,” Vetus Testamentum (VT) 64:4 (2014), 665–667
  • Idan Dershowitz, Nachum Dershowitz, Tomer Hasid, and Amnon Ta-Shma, “Orthography and Biblical Criticism,” Proceedings of Digital Humanities (DH 2014), Lausanne, Switzerland, 451–453
  • Idan Dershowitz, “Computerized Bible Criticism,” Bible and Interpretation (2011): http://www.bibleinterp.com/articles/der358009.shtml
  • Moshe Koppel, Navot Akiva, Idan Dershowitz, and Nachum Dershowitz, “Unsupervised Decomposition of a Document into Authorial Components,” Proceedings of the 49th Annual Meeting of the Association for Computational Linguistics (2011), 1356–1364
  • Navot Akiva, Idan Dershowitz, and Moshe Koppel,“Exploiting Synonym Choice to Identify Components of a Document” (abstract), Israeli Seminar on Computational Linguistics (2010)
  • Idan Dershowitz, “A Land Flowing with Fat and Honey,” Vetus Testamentum (VT) 60:2 (2010), 172–176
  • Idan Dershowitz, “Simeon and Levi are Brothers,” Megadim 44 (2006), 25–31 (Hebrew)

 

Presidential Stipend 2014/15

Rothenstreich Stipend 2015/16

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Uri Erman

Dr. Uri Erman

History

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Subject: Perceptions of opera singers in Britain, 1760-1830: A cultural history

Supervisors: Prof. Dror Wahrman (History) and Prof. Ruth HaCohen (Musicology)

Abstract: My research aims to illuminate cultural perceptions and structures of thought in British society of the late eighteenth and early nineteenth centuries, by tracing the changes in the public image of opera singers. My premise is that the rich and largely vitriolic discourse concerning these singers can reveal deep-seated and dominant cultural notions in British society, in relation to the underlying categories of body, gender and nationality which shaped this discourse and the overarching question of representation on stage as a key cultural site.

In contrast to the myth of the “land without music”, 18th century Britain saw the rise of a variety of musical genres of different types, most importantly the oratorios of G. F. Händel, which quickly became the musical canon of British national identity. On the other hand, opera, originally an Italian theatrical-musical medium, was continuously attacked as a form of foreign and senseless luxury. I focus on the late eighteenth and early nineteenth centuries, since during this time fundamental changes in the political climate and in cultural sensibilities opened up new possibilities for the operatic medium in Britain, whether as a vehicle for national sentiment or as part of a romantic-cosmopolitan ideal. However, this process was continually undermined by deep-seated suspicions towards the singer and his craft – as a distorter of language and common sense, as a “scandalous” corporeality whose vocalizing is pathological, or as a privileged member of society who employs his status in a destructive manner. All of these attributes pointed towards the singer's false essence, frustrating opera's claims to higher truths. In this respect, I would argue that British society's vexed relations with the operatic medium were predicated, to a large degree, on its difficulty in negotiating the image of the singer. This realization, in turn, will help shed new light on British society’s inner codes and sensibilities in that era.

Publications:

Erman, Uri. “The Operatic Voice of Leoni the Jew: Between the Synagogue and the Theater in Late Georgian Britain.” Journal of British Studies 56, no. 2 (2017): 295–321. doi:10.1017/jbr.2017.3.

 

Rotenstreich Stipend 2015/16

Polonsky Stipend 2012/13

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Tom Eshed

Tom Eshed

Department of Jewish History and Contemporary Jewry

Subject:  Holocaust Diplomacy: Commemorating the Shoah in Israeli Foreign Relations, 1948-200

Supervisor: Prof. Amos Goldberg

natan

Natan Evron

Department of Bible Studies

Subject: Nehemiah in Second Temple Period Literature: From the Bible to Josephus

Supervisor: Prof. Michael Segal and Dr. Ronnie Goldstein

Miri Fenton

Miri Fenton

Department of History of the Jewish People and Contemporary Jewry

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Subject: Everyday Life, Identity, and Communal Relations: A Comparison of Kehilot Shum and Aragon, c.1200 – 1347

Supervisor: Prof. Elisheva Baumgarten

Abstract: Using case studies, my research into medieval Jewish communal identity challenges contemporary academic use of the category of “community" as an analytical tool. Using Hebrew, Latin and vernacular sources, I explore how communal identity was built and developed through complex social processes and sets of interactions. By comparing and contrasting Jewish communities in the lands of the Crown of Aragon and in Ashkenaz, I hope to propose a new framework for how we can think of medieval Jewish communities in a theoretically nuanced way. 

Bio: Miri is writing her PhD in Medieval history, comparing and contrasting Jewish community life in the Crown of Aragon and Ashkenaz, 1100-1347. She uses social history and social theory to investigate the realities of Jewish communal life and investigate how communities were constituted by the everyday interactions and relationships. Miri holds a BA in history, and an MPhil in philosophy of religion, from the University of Cambridge. She was the Henry Fellow at Yale Graduate School 2011-12, and has spent two years learning in egalitarian yeshivot in New York and Jerusalem. She also edits academic texts in English. Under the supervision of Prof. Elisheva Baumgarten, her thesis is entitled “Everyday Life, Identity, and Communal Relations: A Comparison of Kehilot Shum and Aragon, 1100-1347.”

Publications:

“The Lives of the Dead in Medieval Ashkenaz,” in In, Out and In Between: Jewish Daily Life in medieval Europe, eds. Elisheva Baumgarten and Ido Noy (2021)

“Moving Bodies: Corpses and Communal Space in Medieval Ashkenaz,” Jewish Studies Quarterly (forthcoming, 2021).

“Absent Husbands and Lonely Wives”; Clearing Refuse in Medieval Cologne”; “Instructions to my Sons and Daughters: The Ethical Will of Eleazar, an 'Average Jew'”; “Piety Even in Death: Rabbeinu Bahya Commenting on Ashkenazi Custom”; R. Yom Tov’s Suicide”; “Remembering Pietism in Ashkenaz from Spain”; “The Attack on the Jews of York in 1190 Reported in Christian Sources”; “The Sweetness of Learning Torah”; “Using Your Wife’s Money to Pay Your Bills: Meir of Rothenburg Responsa,” in Jewish Daily Life in Medieval Northern Europe, 1000-1350: A Sourcebook (Medieval Institute, Michigan State University Press, forthcoming 2021)

Book Review, Javier Castaño, Talya Fishman, and Ephraim Kanarfogel, eds. Regional Identities and Cultures of Medieval Jews. Oxford: Liverpool University Press, 2018. 362 pp. Chiddushim, no. 21 (2019) [Hebrew].

“Hasdai Crescas, Grounds for assertions about God and the philosophical use of scripture,” Journal of Scriptural Reasoning 15 (2016).

“A dedicatory letter and its context: Beinecke MS 115,” Yale Law School Library Journal (2012).
 

Rotenstreich Stipend 2018/19

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Rea  Golan

Dr. Rea Golan

History and Philosophy of Science Program

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Subject: Internal indeterminacy, Formalism an beyond: an essay on the relation between Formalism and Normativity in Logic

Supervisor: Prof. Carl Posy

Abstract: I examine the relation between formality and normativity in logic, claiming that there is an inherent tension between the two. I seek to defuse that tension (so to speak) by providing phenomenological foundations for logic.

 

Rotenstreich Stipend 2014/15

Presidential Stipend 2012/13

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Anna Gutgarts

Dr. Anna Gutgarts

Department of History 

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Subject: Jerusalem in the 12th century: Systematic Analysis of a Developing Urban Landscape – dissertation summary

Supervisor: Professor Ronnie Ellenblum & Professor Iris Shagrir

Abstract: This dissertation aims to reconstruct different facets in the formation of the cityscape of Frankish Jerusalem, particularly during the first six decades of the twelfth century following its conquest by the Crusaders. The analysis is based on a spatially and chronologically organized database encompassing the widest possible array of documents from the examined period. This database allows tracing various patterns concerning different aspects in the urban development of Jerusalem that could not have been detected otherwise. The study analyzes the patterns of economic activity of the city’s major institutions, demonstrating their impact on the formation of urban space. This impact can be traced both in their involvement in urban endeavors as well as in their architectural expansion during the examined period. Other objectives include an analysis of urban social constructs, as well as an examination of Jerusalem in its wider socio-economic context, through its relationship with its rural hinterland.

Rotenstreich Stipend 2013/14 

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yyr_hshkhr.jpg

Dr. Yair Hashachar

Department of Musicology

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Subject: Musical Pan-Africanism - Ideology, Aesthetics and Technology

Supervisor: Prof. Louise Bethlehem and Prof. Edwin Seroussi

Bio: Yair received his BA in Psychology and Amirim Honors Program and his MA in Cultural Studies at the Hebrew University of Jerusalem. In the last four years, he was a doctoral researcher in a European Research Council project "Apartheid--The Global Imaginary: South African Cultural Formations in Transnational Circulation 1948-1990", supervised by Prof. Louise Bethlehem. His dissertation research explores interrelations between music and political thought in post-colonial Africa, focusing primarily on Guinea and Côte d'Ivoire. Drawing on methodologies from ethnomusicology, cultural history, and cultural studies, his research seeks to illuminate the role of music created in transnational spaces in discourses of nationalism, decolonization, pan-Africanism, and modernity. His research was presented in international conferences in the U.S, Germany, South Africa, Senegal, and Ghana, and was published in the journals Social Dynamics and Interventions. He has also taught at the Hebrew University (musicology department) and Ben-Gurion University (African studies) courses on popular and African music. Besides his academic activity, Yair plays the guitar and the kora (a West African harp) and performs in international stages with the group Gulaza.

Publications:

Hashachar, Yair. 2017. “Playing the Backbeat in Conakry: Miriam Makeba and the Cultural Politics of Sékou Touré’s Guinea, 1968–1986.” Social Dynamics 43 (2): 259–73. https://doi.org/10.1080/02533952.2017.1364467.

Hashachar, Yair. 2018. "Guinea Unbound: Performing Pan-African Cultural Citizenship between Algiers 1969 and the Guinean National Festivals." Interventions: International Journal of Postcolonial Studies. https://doi.org/10.1080/1369801X.2018.1508932

Rotenstreich Stipend 2018/19

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